Two young lovers brazenly hold up mob social clubs in this fascinating true-crime tale.<\/p>\n
Although it\u2019s set in the early \u201990s, Rob the Mob has the loose, jaunty feel of a \u201970s-era B movie. Raymond De Felitta\u2019s wildly entertaining film based on the fascinating true-life tale of Thomas and Rosemarie Uva, a Queens couple who made the fatal mistake of robbing Mafia \u201csocial clubs,\u201d benefits from a smart, crackling screenplay by Jonathan Fernandez; terrific performances by everyone from its topline players to its rich supporting cast; and a beautifully realized evocation of New York City\u2019s outer boroughs.<\/p>\n
Michael Pitt and Nina Arianda play the crazy-in-love Tommy and Rosie, whose early attempt to rob a florist results in Tommy getting caught and being sent to prison. Cut to 18 months later, when Rosie is working at a collection agency run by the perpetually jovial Dave (Griffin Dunne), who makes it a habit of employing ex-cons. Welcoming the newly sprung Tommy to the fold, he proudly informs him, \u201cI hire people who\u2019ve been abandoned by society.\u201d<\/p>\n
But Tommy is less interested in his work duties than in attending the trial of mob boss John Gotti, where one hoodlum testifies about the private clubs in which the Mafia members hang out and where guns are strictly forbidden. \u201cWise guys and guns \u2026 it\u2019s a bad mix,\u201d he points out.<\/p>\n
Having jotted down the clubs’ addresses, Tommy, armed with an Uzi, and Rosie, manning a getaway car that was given to her by her late father, begin a series of robberies like a modern-day Bonnie and Clyde, their victims being the mobsters who can scarcely believe that anyone would be both brazen enough and dumb enough to take them on.<\/p>\n
What Tommy and Rosie don\u2019t know is that the clubs are under FBI surveillance, with one veteran agent (Frank Whaley) utterly bemused by the couple\u2019s daringness. He leaks a photo of several of the mob victims vainly chasing Tommy clad only in their underwear \u2014 Tommy humiliated them by making them strip during the robbery \u2014 to a tabloid journalist (Ray Romano), who splashes the story all over the front page.<\/p>\n
Naturally, none of this sits well with aging mob boss Big Al (Andy Garcia, who previously collaborated with De Felitta on the equally fine if little-seen City Island), a seemingly genteel type who likes to spend his time teaching his adoring young grandson the art of cooking rice balls. At first, Big Al is content to ignore the young criminals, but he\u2019s eventually spurred to order violent retribution when Tommy begins threatening to make public the list of mob members he\u2019s purloined from one of his hapless victims (Burt Young).<\/p>\n
Although not lacking in suspense, the fast-paced film takes the time to explore the reason for Tommy\u2019s hatred of the Mafia \u2014 he blames them for the death of his father \u2014 as well as the wildly passionate relationship between the two central characters, superbly played by Pitt and the vivacious Arianda.<\/p>\n
The supporting figures, such as Garcia\u2019s somber mob boss and Romano\u2019s moralistic journalist who finds himself feeling increasingly sympathetic to the brazen young criminals whose lives he\u2019s putting in danger with his stories, are equally well fleshed-out. Garcia, sporting a heavy gray beard, invests his character with an impressive gravitas, while Romano further demonstrates the dramatic skills he\u2019s unveiled on NBC\u2019s Parenthood. The large supporting cast, which also includes such familiar faces as Cathy Moriarty as Tommy\u2019s estranged mother and Michael Rispoli as Big Al\u2019s second-in-command, deliver impressive turns all around.<\/p>\n
Featuring generous doses of raucous humor as well as a haunting atmosphere of dread as Tommy and Rosie\u2019s exploits prove increasingly dangerous, Rob the Mob is a true-crime tale that boasts an uncommon emotional resonance.<\/p>\n
Production: The Exchange<\/p>\n
Cast: Michael Pitt, Nina Arianda, Andy Garcia, Ray Romano, Griffin Dunne, Michael Rispoli, Frank Whaley, Burt Young, Cathy Moriarty<\/p>\n
Director: Raymond De Felitta<\/p>\n
Screenwriter: Jonathan Fernandez<\/p>\n
Producer: William Teitler<\/p>\n
Executive producers: William Kay, Andy Garcia, Raymond De Felitta, Jonathan Fernandez, Michael Pitt<\/p>\n
Director of photography: Christopher Norr<\/p>\n
Production designer: Carlos A. Menendez<\/p>\n
Costume designer: Tere Duncan<\/p>\n
Editor: David Leonard<\/p>\n
Composer: Stephen Endelman<\/p>\n
Rated R, 104 minutes