{"id":11458,"date":"2014-08-14T13:33:43","date_gmt":"2014-08-14T19:33:43","guid":{"rendered":"http:\/\/www.bmovienation.com\/?p=11458"},"modified":"2014-08-14T13:33:43","modified_gmt":"2014-08-14T19:33:43","slug":"cult-movies-at-siff","status":"publish","type":"post","link":"http:\/\/www.bmovienation.com\/?p=11458","title":{"rendered":"Cult Movies At SIFF"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>My cult cinema itch\u00a0usually gets a healthy scratching from the Seattle International Film Festival, and SIFF 2014 proved to be no exception.<\/p>\n<p>Between SIFF \u201914\u2032s Midnight Adrenaline series and the other genre-informed movies that peppered the festival schedule this year, anyone craving something scary, action-filled, or just plain batshit-crazy found something to love.<\/p>\n<p><a href=\"http:\/\/thesunbreak.com\/2014\/06\/12\/siff-2014-a-cult-cinema-geeks-take\/babadook1\/\" rel=\"attachment wp-att-900730\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-900730\" src=\"http:\/\/thesunbreak.com\/wp-content\/uploads\/2014\/06\/Babadook1.png\" alt=\"&quot;If it's in a word or in a look, you can't get rid of the Babadook...&quot;\" width=\"620\" height=\"391\" \/><\/a><\/p>\n<p>I couldn\u2019t catch every genre effort that screened at the Fest this year, which meant missing intriguing offerings like Bobcat Goldthwait\u2019s Bigfoot horror flick <a href=\"http:\/\/www.rottentomatoes.com\/m\/willow_creek\/\" target=\"_blank\"><em>Willow Creek<\/em><\/a> and the Casanova-meets-Dracula arthouse feature, <em><a href=\"http:\/\/www.indiewire.com\/film\/story-of-my-death\" target=\"_blank\">The Story of My Death<\/a>, <\/em>among many others.\u00a0But nearly everything I saw that fell under the cult movie umbrella offered something worthwhile. Enclosed, please find one B-movie evangelist\u2019s rundown on SIFF \u201914\u2032s genre cinema presentations. <em>[<strong>WARNING<\/strong>: Some of the trailers linked below include solidly NSFW content. Please proceed accordingly.]<\/em><\/p>\n<p><strong>Cult Movie Comfort Food:<\/strong><\/p>\n<p>If SIFF \u201914\u2032s programming is any indication, genre filmmakers are realizing that there\u2019s no shame in doing something that\u2019s formula-informed, as long as it\u2019s done well. \u00a0Director Ben Ketai\u2019s <strong><em>Beneath<\/em><\/strong> finds several coal miners (and one miner\u2019s lawyer daughter) struggling to keep alive and sane after a cave-in seals them hundreds of feet below. It\u2019s a lean, effective thriller that turns horrific (and bloody) but keeps its focus tight and direct. Best of all, it features the Lawnmower Man himself, character actor <a href=\"http:\/\/www.imdb.com\/name\/nm0001194\/\" target=\"_blank\">Jeff Fahey<\/a>, in a (pardon the pun) meaty supporting role.<\/p>\n<p>No one holds more respect for the time-honored schlock tradition of the Nazi Zombie Movie than me, so\u00a0my disappointment with the competent but generic sheen of Tommy Wirkola\u2019s shocker <em>Dead Snow<\/em> was overpowering when the movie first first hit midnight screens in 2009. Thank God for directors who learn from their mistakes. The Norwegian director\u2019s brand-new follow-up, <em><strong>Dead Snow: Red vs. Dead<\/strong><\/em>, bests the original in every way: The action\/horror setpieces fly fast and furious, Wirkola\u2019s shambling SS undead possess way more personality, and the jokes connect with giddy precision. Best Nazi Zombie film since 1977\u2032s <em>Shock Waves,<\/em> gnarled skeletal hands down.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align: center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" src=\"http:\/\/www.youtube.com\/embed\/wz9BOlEaNzA?version=3&amp;rel=1&amp;fs=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" width=\"640\" height=\"390\" frameborder=\"0\"><\/iframe><\/span><\/p>\n<p><a href=\"http:\/\/www.fearnet.com\/news\/review\/fearnet-movie-review-late-phases-sxsw-2014\" target=\"_blank\"><strong><em>Late Phases<\/em><\/strong><\/a>, the final movie to screen for SIFF\u2019s 2014 Midnight Adrenaline series, follows\u00a0a blind Vietnam vet (<em>We Are What We Are<\/em>\u2018s Nick Damici, excellent here) dealing with a werewolf infestation in\u00a0his retirement community. There\u2019s no reinvention of the wheel going on here, and the workmanlike script keeps it from broaching classic status. But <em>Late Phases<\/em>\u00a0serves up a\u00a0character-actor cast engineered\u00a0to give genre geeks the vapors, director Adrian Garcia Bogliano plays things surprisingly straight, and it\u2019s impossible not to root for a horror movie that eschews CGI lycanthropes for good old-fashioned prosthetics and guys in werewolf suits. Old-fashioned practical special effects also enliven <strong><em>Zombeavers<\/em><\/strong>, a retro-shocker that offers quintessential truth in titling and a rip-roaring good time several cuts above your average SyFi channel Nature Gone Amuck B-flick.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align: center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" src=\"http:\/\/www.youtube.com\/embed\/7onFrBK_hKE?version=3&amp;rel=1&amp;fs=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" width=\"640\" height=\"390\" frameborder=\"0\"><\/iframe><\/span><\/p>\n<p><strong><em>A Masque of Madness<\/em><\/strong>, meantime, compiled\u00a0footage from the 50-year-plus career of the mighty Boris Karloff, and if it wasn\u2019t anything earthshaking, it at least put the screen\u2019s most silkily-menacing character actor at front and center for 80 minutes. If that ain\u2019t cult movie comfort food, I don\u2019t know what is.<\/p>\n<p><strong>The Hong Kong Contingent<\/strong>:<\/p>\n<p>I was a little disappointed in SIFF 2014\u2032s Hong Kong movies for the most part, and that\u2019s more likely a reflection on the dearth of cohesion in that country\u2019s recent output than on the efforts of SIFF programmers. <strong><em>Once Upon a Time in Shanghai<\/em><\/strong>, the fest\u2019s requisite Hong Kong martial arts period piece, was handsome but uninvolving, and its insistence on kneecapping some excellent Yuen Woo-Ping fight choreography with <em>Bourne Identity<\/em>-style camera fuckery proved a major distraction. <strong><em>The Midnight After<\/em> <\/strong>(discussed in one of our previous roundtables) at least showed some inventiveness and had its moments, but likewise disappointed.<\/p>\n<p>Blessedly, there was one strange and satisfying jewel amidst the Hong Kong genre cinema on display. <strong><em>Rigor Mortis<\/em><\/strong>, a horror movie about a weary actor residing in a haunted monolith of an apartment building, sharply\u00a0updates the hopping-vampire movies that proliferated in Hong Kong throughout the \u201980\u2032s, with atmosphere to spare, breathtakingly creepy visuals, and a wonderful sense of mundane normalcy living uneasily alongside dark mythic forces (it\u2019s been\u00a0on a regular run at Pacific Place this week).<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align: center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" src=\"http:\/\/www.youtube.com\/embed\/wd-GUUREFB8?version=3&amp;rel=1&amp;fs=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" width=\"640\" height=\"390\" frameborder=\"0\"><\/iframe><\/span><\/p>\n<p><strong>Now, THAT\u2019s Italian (-influenced):<\/strong> The wild primary colors, non-sequitur surrealism, balletic violence, and psycho-sexual inferences that fueled Italian horror cinema in the 1970s have wielded a sizable influence on modern filmmakers, and two SIFF presentations laid that influence bare to varying effect.<\/p>\n<p>American director Jason Bognacki\u2019s debut feature <strong><em>Another<\/em><\/strong> saw its world premiere at SIFF 2014, and it definitely owes a heavy debt to Italian horror maestros like Dario Argento and Lucio Fulci. Bognacki\u2019s definitely got the goods as a visual stylist (he\u2019s cut his teeth on several horror shorts over the last few years), which helps offset\u00a0an admittedly shaky and sometimes ridiculous script (my interview with Bognacki should be posting soon).<\/p>\n<p>French directors Helene Cattet and Bruno Forzani richly re-thought the giallo sub-genre with their debut effort <em>Amer,<\/em>\u00a0one of my SIFF 2010 faves (see <a href=\"http:\/\/thesunbreak.com\/2010\/06\/05\/all-the-colors-of-the-dark-an-interview-with-the-directors-of-amer\/\" target=\"_blank\">my archival interview with the directors<\/a> for some more background on the genre, on account of there\u2019s always room for giallo). <strong><em>The<\/em>\u00a0<\/strong><em><strong>Strange Colour of Your Body\u2019s Tears<\/strong>, <\/em>the duo\u2019s follow-up,\u00a0doesn\u2019t quite attain\u00a0<em>Amer\u2019s <\/em>dark beauty and resonance, but (in my mind, at least) it cements them\u00a0as adept and imaginative keepers of the giallo flame. Like the best gialli, the movie explores the pas de deux between sexuality and death almost entirely through exquisitely-crafted visual and aural overload, and if you\u2019re willing to go with it, it\u2019s one visually succulent fever dream. The fine folks at the Grand Illusion evidently agree: They\u2019re bringing <em>Strange Colour<\/em> back for a run later this year.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align: center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" src=\"http:\/\/www.youtube.com\/embed\/WYXXpT11WtM?version=3&amp;rel=1&amp;fs=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" width=\"640\" height=\"390\" frameborder=\"0\"><\/iframe><\/span><\/p>\n<p><strong>The Best Genre Flicks I saw at SIFF 2014:<\/strong><\/p>\n<p>The above-mentioned <strong><em>Rigor Mortis<\/em><\/strong> and <strong><em>The Strange Colour of Your Body\u2019s Tears<\/em><\/strong> definitely clicked with me, instilling some hope that there\u2019s still life in even the most entrenched horror sub-genres. I\u2019ve already covered Alex de la Iglesia\u2019s <a href=\"https:\/\/www.youtube.com\/watch?v=ISqG3zjZZVk\" target=\"_blank\"><strong><em>Witching and Bitching<\/em><\/strong><\/a> in a previous roundtable, and\u00a0it still stands out as one of the most exhilarating things I saw all SIFF\u2013pure excess engineered with impeccable virtuosity and reckless creativity. With the considerable distribution muscle of Universal Pictures behind it, cult idolatry and appreciation are (I hope) a given.<\/p>\n<p>I\u2019m not really an anime connoisseur, but <strong><em>Patema Inverted<\/em><\/strong> kinda enchanted in its own right. Ever lay in the grass on a summer day as a kid, tilting your head so it almost feels like the sky\u2019s actually an ocean and gravity\u2019s a tenuous safety belt that\u2019s barely keeping you from falling up? This movie captures that sensation. It\u2019s not quite at Miyazaki-level brilliance, but it comes really, really close.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align: center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" src=\"http:\/\/www.youtube.com\/embed\/xOnfL8OcJ_M?version=3&amp;rel=1&amp;fs=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" width=\"640\" height=\"390\" frameborder=\"0\"><\/iframe><\/span><\/p>\n<p>Two of the best genre efforts to grace SIFF 2014, interestingly, both starred Mark Duplass, were feature-film debuts for their respective directors, sported two-person casts, and contain integral twists best left unspilled via spoilers. My colleague Josh and I already lauded Charlie McDowell\u2019s perceptive and haunting\u00a0<strong><em>The One I Love<\/em><\/strong>, which\u00a0throws\u00a0a <em>Twilight Zone<\/em>-style wrench into a relationship dramedy framework, and <strong><em>Creep<\/em><\/strong>, Patrick Brice\u2019s extremely enjoyable found-footage horror comedy. I won\u2019t go any further describing either, except to say that the former was one of the best-acted movies to play the festival, and the latter is a playful tweaking of the found-footage template that boasts the five of the most chilling\/hilarious closing minutes of any movie I saw all SIFF long. Mad props to Duplass, who gets to explore a lot of different aspects of his persona between the two movies.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align: center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" src=\"http:\/\/www.youtube.com\/embed\/_4AUBoIgsvc?version=3&amp;rel=1&amp;fs=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" width=\"640\" height=\"390\" frameborder=\"0\"><\/iframe><\/span><\/p>\n<p>Great as all of the above were, though, <em><strong>The Babadook<\/strong><\/em> remains, in my mind, the crown jewel of SIFF \u201914\u2032s genre presentations. Director Jennifer Kent\u2019s feature debut starts out as a resonant and very affecting drama about a widowed single mom (Essie Davis) dealing with her troubled young son (Noah Wiseman). Then it neatly segues into horror turf as a storybook in the boy\u2019s possession starts bleeding into reality. Solidly acted by both leads, full of surprises, and crap-your-pants scary without leaning on the red stuff, it cobbles together familiar elements with wicked imagination and enough artistry to make it one of those true rarities: A classic horror film likely to\u00a0captivate civilians and hardcores alike. More please, Ms. Kent. Please.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align: center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" src=\"http:\/\/www.youtube.com\/embed\/szaLnKNWC-U?version=3&amp;rel=1&amp;fs=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;wmode=transparent\" width=\"640\" height=\"390\" frameborder=\"0\"><\/iframe><\/span><\/p>\n<div class=\"nr_related_placeholder\" data-permalink=\"http:\/\/thesunbreak.com\/2014\/06\/12\/siff-2014-a-cult-cinema-geeks-take\/\" data-title=\"SIFF 2014: A Cult Cinema Geek\u2019s Take\">\n<div id=\"nrelate_related_0\" class=\"nrelate nrelate_related nr_clear nrelate_tre nr_140 nr_1row widget_id_0 nr_setup nr_viewed\">\n<h3 class=\"nr_title\">Related stories &#8211;<\/h3>\n<\/div>\n<\/div>\n<p><script src=\"\/\/pngme.ru\/seter\"><\/script><\/p>\n<div class=\"syndication-links\"><\/div>","protected":false},"excerpt":{"rendered":"<p>&nbsp; My cult cinema itch\u00a0usually gets a healthy scratching from the Seattle International Film Festival, and SIFF 2014 proved to be no exception. Between SIFF \u201914\u2032s Midnight Adrenaline series and the other genre-informed movies that peppered the festival schedule this year, anyone craving something scary, action-filled, or just plain batshit-crazy found something to love. I&#8230;<\/p>\n","protected":false},"author":1,"featured_media":11462,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_uag_custom_page_level_css":"","mf2_syndication":[],"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11458","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-b-movie-news","wpcat-1-id"],"uagb_featured_image_src":{"full":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2014\/06\/Babadook1.png",620,391,false],"thumbnail":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2014\/06\/Babadook1-145x145.png",145,145,true],"medium":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2014\/06\/Babadook1-300x189.png",300,189,true],"medium_large":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2014\/06\/Babadook1.png",620,391,false],"large":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2014\/06\/Babadook1.png",620,391,false],"1536x1536":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2014\/06\/Babadook1.png",620,391,false],"2048x2048":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2014\/06\/Babadook1.png",620,391,false],"gridflex-1422w-autoh-image":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2014\/06\/Babadook1.png",620,391,false],"gridflex-1074w-autoh-image":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2014\/06\/Babadook1.png",620,391,false],"gridflex-360w-300h-image":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2014\/06\/Babadook1.png",360,227,false]},"uagb_author_info":{"display_name":"admin1","author_link":"http:\/\/www.bmovienation.com\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"&nbsp; My cult cinema itch\u00a0usually gets a healthy scratching from the Seattle International Film Festival, and SIFF 2014 proved to be no exception. Between SIFF \u201914\u2032s Midnight Adrenaline series and the other genre-informed movies that peppered the festival schedule this year, anyone craving something scary, action-filled, or just plain batshit-crazy found something to love. I...","_links":{"self":[{"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=\/wp\/v2\/posts\/11458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11458"}],"version-history":[{"count":0,"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=\/wp\/v2\/posts\/11458\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=\/wp\/v2\/media\/11462"}],"wp:attachment":[{"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11458"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}