A ragged, befuddling palimpsest comprised from the detritus of no fewer than three unrelated pre-existing films, all shuffled together within a framework of “new” scenes(added, I suppose, to bring some degree of cohesion to the amalgamated mess at hand). Success? ….erm….hardly. In fact, watching this tatterdemalion patchwork is like staring at one of those damn squiggly-dot pictures…eventually, you might catch a fleeting image of a snow-boarder or something, but was it really worth the headache in the end?<\/p>\n
Well, there is actually some sub-atomic particle of a story straining to emerge from all the disorder…as I see it, there’s a spaceship that has landed on a planet which is the origin of all vampires, as well as home to various other predatory monstrosities and a tribe of peaceful cave-people. The bizarre atmospheric conditions of this planet cause everything to appear as color-tinted black-and-white, the tint randomly changing from blue to red to green and so forth. During one scene set inside the spaceship, an astronaut is looking through a periscope-type of device. The view presents a grid with marked north, south, east, and west coordinates. I’m certainly no science brain, but don’t those points of direction become “lost” once you have left the Earth? Hmmm…whatever.<\/p>\n
John Carradine is in this flick. A little. He looks sort of embarrassed…he knows very damn well that this is a petrified turd of a film, but as the patron saint of undiscriminating “any old thing for a paycheck” movie stars, he sails through the muck like an old pro. <\/p>\n
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