{"id":22404,"date":"2017-06-05T20:02:51","date_gmt":"2017-06-06T02:02:51","guid":{"rendered":"http:\/\/www.bmovienation.com\/?p=22404"},"modified":"2017-04-29T20:04:25","modified_gmt":"2017-04-30T02:04:25","slug":"lifeforce-1985-3","status":"publish","type":"post","link":"http:\/\/www.bmovienation.com\/?p=22404","title":{"rendered":"Lifeforce (1985)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.bmovienation.com\/wp-content\/uploads\/2017\/04\/ee0093103d05ead5b7a1d2e88e7ae390-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" class=\"alignnone size-medium wp-image-22377\" srcset=\"http:\/\/www.bmovienation.com\/wp-content\/uploads\/2017\/04\/ee0093103d05ead5b7a1d2e88e7ae390-200x300.jpg 200w, http:\/\/www.bmovienation.com\/wp-content\/uploads\/2017\/04\/ee0093103d05ead5b7a1d2e88e7ae390.jpg 564w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>Rather than dismiss &#8216;Lifeforce&#8217; out-of-hand as a sort of schlock and primitive exploitation feature, it&#8217;s important to recognize that the film draws upon the &#8216;esteemed&#8217; traditions of British horror and science-fiction &#8211; specifically Hammer and American International features like Quatermass (specifically &#8216;Quatermass and the Pit&#8217;, 1967), Doctor Who and &#8216;The Day of the Triffids&#8217; (1963), if not the works of Gerry Anderson (&#8216;UFO&#8217;, &#8216;Space:1999&#8217; and &#8216;Thunderbirds&#8217;). But none of these influences would be a surprise if other reviewers recognized writer O&#8217;Bannon&#8217;s genre-scholarly appreciation for &#8216;Queen of Blood'(1966) and &#8216;It! The Terror from Beyond Space'(1958) &#8211; the immediate sources for &#8216;Alien&#8217; (1979).<\/p>\n<p>Granted this film has some &#8216;legacy&#8217; elements, but perhaps it&#8217;s worth comparing this film to its more immediate peers &#8211; 1981&#8217;s &#8216;An American Werewolf in London&#8217; and &#8216;The Company of Wolves&#8217; (1984) &#8211; other 80&#8217;s films that share a &#8216;looking-back&#8217; while they adapt those stories to the 80&#8217;s zeitgeist. All three films drew on earlier incarnations of the same, but substantially sexed-up their themes (because they could), and, at the same time they recognized the tongue-in-cheek, humorous aspects of their projects.<\/p>\n<p>Neil Jordan&#8217;s &#8216;Wolves&#8217; played to many of the psychoanalytic memes floating around at the during the &#8217;80&#8217;s, while &#8216;American Werewolf&#8217; curdled its theme as a &#8216;coming-of-age&#8217; film. It&#8217;s called artistic license, and the adaptations of these three films are no less valid than the latter-day dramedy inherent in the &#8216;Scream&#8217; franchise, &#8216;I Know What You Did Last Summer&#8217; and &#8216;Final Destination&#8217;. But these teen-targeted, films seem to be part of a box-office trend, whereas the 80&#8217;s films like &#8216;Lifeforce&#8217; belong a canon of British sci-fi &#8211; even if this one was written by an American.<\/p>\n<p>In many ways this film holds up much better than latter-day disaster and alien-invasion flicks (&#8216;Independence Day&#8217;, &#8216;Armageddon&#8217;, &#8216;Deep Impact&#8217;) in that the &#8216;solutions&#8217; don&#8217;t reside in gun-battles, weaponized payloads and testosterone. At the opposite end of the pole, it is unfortunate that Steven Soderbergh and James Cameron didn&#8217;t examine Tarkowski and Lem more closely before they remade &#8216;Solaris&#8217;&#8230;<\/p>\n<div class=\"syndication-links\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Rather than dismiss &#8216;Lifeforce&#8217; out-of-hand as a sort of schlock and primitive exploitation feature, it&#8217;s important to recognize that the film draws upon the &#8216;esteemed&#8217; traditions of British horror and science-fiction &#8211; specifically Hammer and American International features like Quatermass (specifically &#8216;Quatermass and the Pit&#8217;, 1967), Doctor Who and &#8216;The Day of the Triffids&#8217; (1963),&#8230;<\/p>\n","protected":false},"author":1,"featured_media":22377,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_uag_custom_page_level_css":"","mf2_syndication":[],"footnotes":""},"categories":[1],"tags":[],"class_list":["post-22404","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-b-movie-news","wpcat-1-id"],"uagb_featured_image_src":{"full":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2017\/04\/ee0093103d05ead5b7a1d2e88e7ae390.jpg",564,847,false],"thumbnail":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2017\/04\/ee0093103d05ead5b7a1d2e88e7ae390-145x145.jpg",145,145,true],"medium":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2017\/04\/ee0093103d05ead5b7a1d2e88e7ae390-200x300.jpg",200,300,true],"medium_large":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2017\/04\/ee0093103d05ead5b7a1d2e88e7ae390.jpg",564,847,false],"large":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2017\/04\/ee0093103d05ead5b7a1d2e88e7ae390.jpg",564,847,false],"1536x1536":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2017\/04\/ee0093103d05ead5b7a1d2e88e7ae390.jpg",564,847,false],"2048x2048":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2017\/04\/ee0093103d05ead5b7a1d2e88e7ae390.jpg",564,847,false],"gridflex-1422w-autoh-image":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2017\/04\/ee0093103d05ead5b7a1d2e88e7ae390.jpg",564,847,false],"gridflex-1074w-autoh-image":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2017\/04\/ee0093103d05ead5b7a1d2e88e7ae390.jpg",564,847,false],"gridflex-360w-300h-image":["http:\/\/www.bmovienation.com\/wp-content\/uploads\/2017\/04\/ee0093103d05ead5b7a1d2e88e7ae390.jpg",200,300,false]},"uagb_author_info":{"display_name":"admin1","author_link":"http:\/\/www.bmovienation.com\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Rather than dismiss &#8216;Lifeforce&#8217; out-of-hand as a sort of schlock and primitive exploitation feature, it&#8217;s important to recognize that the film draws upon the &#8216;esteemed&#8217; traditions of British horror and science-fiction &#8211; specifically Hammer and American International features like Quatermass (specifically &#8216;Quatermass and the Pit&#8217;, 1967), Doctor Who and &#8216;The Day of the Triffids&#8217; (1963),...","_links":{"self":[{"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=\/wp\/v2\/posts\/22404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22404"}],"version-history":[{"count":0,"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=\/wp\/v2\/posts\/22404\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=\/wp\/v2\/media\/22377"}],"wp:attachment":[{"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22404"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22404"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.bmovienation.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}