Surprisingly entertaining, even fitfully exciting, \u201cWorld War Z\u201d is primarily an exercise in expectation management. Forget those trailers suggesting a rock \u2019em, sock \u2019em, blow-it-all-up extravaganza or a Grand Guig\u00adnol of cannibalistic grotesquerie by way of those titular Z\u2019s; i.e., face-eating zombies.<\/p>\n
Instead, be prepared for a relatively grown-up, modestly intelligent and refreshingly un-bombastic thriller that owes as much to medical tick-tocks such as \u201cOutbreak\u201d and \u201cContagion\u201d as it does to \u201c28 Days Later\u201d and the seminal works of George Romero. Anchored by a solid lead performance by Brad Pitt, who plays a happy Philadelphia househusband pulled back into his old profession of U.N. investigator when a zombie apocalypse threatens to destroy the world, \u201cWorld War Z\u201d may not break new ground in either of the genres it straddles. But it deserves a certain amount of credit for refusing to buy into the current cinematic arms race in Biggest, Loudest and Dumbest.
\nWorld War Z 3D
\nOpened: 06\/21\/2013
\nStarring: Brad Pitt, James Badge Dale, Eric West, Mireille Enos, Matthew Fox, Julia Levy-Boeken
\nRated: PG-13
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The most memorable sequence of \u201cWorld War Z\u201d occurs early in the film, when Gerry Lane (Pitt), his wife, Karin (Mireille Enos), and their two daughters are caught in a maelstrom in downtown Philadelphia, where a horde of blue-veined, palsied wraiths makes a gruesome hash of rush-hour traffic. Soon Gerry is enlisted by a former colleague to help stop the epidemic, and with a virologist and Navy SEAL team in tow, he lands in South Korea, where the first known zombie infestation occurred. With his dashing neck scarf and blond-highlighted hair worn just long enough to suggest rugged iconoclasm, Pitt portrays Gerry as the ideal reluctant hero, less a comic-book-style vanquisher of flesh-eating specters than a thoughtful, proficient problem solver, even when those problems can be solved only by swiftly cutting someone\u2019s hand off.<\/p>\n
But don\u2019t worry: Even in that wince-inducing scene, the blood is kept safely off the screen. \u201cWorld War Z,\u201d which was directed by Marc Forster from a much-worked-over script by a large team of writers, doesn\u2019t traffic in the kind of gratuitous gore for which zombie flicks are known and loved.<\/p>\n
Instead, the film follows the classic contours of a globe-trotting mystery, throwing in occasional set pieces of terror and mayhem. One of the most impressive, which projects the cheering image of Israeli Jews and Palestinians finding common cause against the teeming undead behind the separation wall in Jerusalem, results in Gerry\u2019s acquiring a sister-in-arms, a tough Israeli soldier named Segen, played by Daniella Kertesz. (Make what you will of her unsettling resemblance to a Holocaust survivor.) Later, after a sequence that might fairly be described as the Ultimate Revenge of Economy Class, \u201cWorld War Z\u201d indulges in a rare instance of graphic ickiness, albeit one from which its victim recovers in near-record time.<\/p>\n
For all the carnage and horror that \u201cWorld War Z\u201d entails, its net effect is oddly soothing, perhaps because one of the conceits of the plot is that Gerry and his confederates must work quietly so as not to attract their enemies\u2019 attention. (When they fail, the zombies come at them with necks outstretched, clicking their teeth like menacing squirrels on the hunt for winter chestnuts.)<\/p>\n
Pitt, who produced \u201cWorld War Z\u201d after optioning the book by Max Brooks, does his best to inject a note of serious global consciousness into what can be read as both an outlandish horror fantasy and a flattering portrait of brave and handsome self-sacrifice.<\/p>\n
The result is a movie that, while no classic, can be credited with giving the audience something a bit more substantive than the usual disposable summer fare. For that feat alone, \u201cWorld War Z\u201d deserves at least a gentleman\u2019s C.<\/p>\n
\u2605\u2605\u00bdPG-13. At area theaters. Contains intense, frightening zombie sequences, violence and disturbing images.
\n116 minutes.