One of Blaxploitation\u2019s downbeat takes on horror, Dr. Black, Mr. Hyde (its fun title and poster art aside) is a decidedly somber look at conflicting allegiances, class disparities and race relations.<\/p>\n
In the lead as award-winning Dr. Pride (no one in the film has the last name \u201cBlack\u201d or \u201cHyde\u201d) Bernie Casey takes his role very seriously. Good in the emotional scenes and committed to character (he is developing a serum to cure cirrhosis of the Liver) he, nevertheless, lacks the humor needed to elevate the familiar material\u2014and win audience points.<\/p>\n
The supporting cast is filled out with Rosalind Cash as Dr. Billie Worth (check the positive last names of our main characters!)\u2014Dr. Pride\u2019s girlfriend\u2014an equally serious research and ethics-driven practitioner, and Marie O\u2019Henry as Linda Monte, a prostitute who is as comfortable in the nude as she is mocking Dr. Pride for being \u201ctoo white.\u201d<\/p>\n
And, as it turns out, he is. When Dr. Pride injects himself with his not-ready-for-market serum, it transforms him into an angry, vengeance seeking albino: complete with white eyes, white skin and a white-dusted afro!<\/p>\n
Director William (Blacula) Crain does a good job of taking us into the picture\u2019s disparate environments: a squalid apartment building, the Moonlight Lounge, an inner-city clinic. He also provides a genuine \u201cjump-out-of-your-seat\u201d moment within the first twenty minutes. But, unfortunately, that\u2019s about it: the hole-ridden script is insurmountable. Why can \u201cMr. Hyde\u2019s\u201d body deflect bullets sometimes but not others? Why can\u2019t people recognize him in his \u201ctransformation\u201d makeup\u2014which is not that transformative at all (even though it was designed by Stan Weston of Terminator and Aliens fame). And why\/how does a doctor who works in a neighborhood clinic have a sprawling Los Angeles home and drive a vintage silver Rolls Royce?<\/p>\n
Still, Dr. Black, Mr. Hyde (re-titled \u201cThe Watts Monster\u201d during a second run) is worth a look. The soundtrack by soul artist Johnny Pate is effective; both funky and eerie. The cinematography by Tak Fujimoto (who moved on to A-list pictures like Silence of the Lambs and The Sixth Sense) is arresting. And the large contingent of stuntmen (and women) pull out all the stops (that marauding, super-powered Mr. Hyde sure can hurl the bodies when he needs to)!<\/p>\n
The climactic shootout atop Los Angeles\u2019 famous Watts Towers (historic ten-story high metal sculptures) is a plus. Check out the comical, rhyme-heavy trailer\u2014\u201cDon\u2019t give him no sass or he\u2019ll kick your ass!\u201d\u2014on You-Tube.