Willow Creek is another Blair Witch Project rehash, but don’t let that deter you. It’s a different approach to minimalist found-footage horror, and it winds up being a truly frightening experience if you can make it past the first half. Not that the first half is poor – it’s just a long setup to introduce you to these characters: Jim, the believer, and Kelly, the skeptic, on their hunt for the one and only Bigfoot. It’s satirical in a way, watching Jim interview these townsfolk about Bigfoot sightings and you as a viewer knowing how ridiculous it all is, but that is what makes Willow Creek work so well. You’re led to believe it’s going to be a dumb satire on the Blair Witch Project for the first half of the film, which makes it all the more terrifying when things take a turn for the worse.

Rather than having jump scares and disturbing imagery, the scares in Willow Creek come almost entirely from sound. There’s even a point where the main character shuts off the camera light so you can’t see anything. All you can do is listen to the open wilderness: wood knocking from a distance, leaves crunching, ominous howls, getting closer and closer. It taps into everyone’s innate fear of the unknown in the simplest and most effective way.

As far as minimalist horror goes, Willow Creek is right up there with Blair Witch, possibly even surpassing it. The only complaint I have aside from the overlong build up (which ends up paying off anyway) is the atrocious rock song that plays during the end credits. It takes the dreadful atmosphere you were experiencing moments before and slams your eardrums with this horrendous upbeat music. It can be a relief for some people, reminding us that it’s only a movie, but I found it grating. However, this doesn’t take away from the fact that Willow Creek is another reminder that found-footage can work with the right team in front and behind the camera. A perfect midnight horror movie