As is the case with many low-budget horror films released numerous times with different cuts and ratings in various different continents, Joe D’Amato’s Absurd is known under a wealth of alternative titles. Also known as Horrible, Rosso Sangue and Monster Hunter, the film was labelled as too gruesome for British audiences in the 1980’s and found itself on the dreaded Video Nasty List. The most bizarre title to make its way onto its VHS cover is Anthropophagus 2, although the film has little in common with D/Amato’s Anthropopogus: The Grim Reaper apart from the lead casting of George Eastman as yet another impossibly strong man-mountain with a fondness for gruesome murder.

The film begins with Mikos (Eastman), a beast of a man with an unnaturally fast healing factor, fleeing a priest. As he tries to escape by scaling a fence, Mikos is impaled on the railing spikes which disembowel him. It is while at the hospital that the doctors discover his amazing ability to heal, but he is soon on the loose after murdering a nurse. The madman is eventually hit by a car driven by Mr. Bennett (Ian Danby), who flees the scene and returns to his wife, son, and bed-ridden daughter Katia (Katya Berger). The family soon finds themselves under attack from Mikos, while police officer Sgt. Engleman (Charles Borromel) and the priest (Edmund Purdom) attempt to hunt down the rampaging savage.

Apart from a couple of entertainingly gory murders (a buzzsaw to the temple and a head in the oven are particular ‘highlights’), Absurd suffers from some serious pacing issues. As the story bobbles around between the various characters having inane conversations, the film becomes incredibly boring and short of action. It’s debatable as to whether Anthropophagus (1980) or Absurd takes the prize for the most tedious 90 minutes, but I feel that Absurd just edges it. Although Eastman does little more than stumble around with a crazy look in his eyes, he certainly has a presence, but here he is given a disappointingly short amount of screen time. By the time the climax finally arrives, it plods on and on as Katia is forced to learn to walk again to escape the bogeyman, which does not make for exciting viewing. Absurd, indeed.