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Mill of the Stone Women (1960)

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Based on a Flemish short story by Pieter Van Weigen, Mill of the Stone Women is an excellent slice of Eurocult Gothic horror. The film is along the same lines as films by Mario Bava; most notably Black Sunday and Kill Baby Kill, and just like the aforementioned masterpieces; bathes in its own atmosphere and most of the horror is drawn from that. Horror is a genre that people often mistake for not having many ideas, but films like this prove otherwise. Here, we have a story that couldn’t be further away from the ‘norm’ in horror, and on a technical level, Mill of the Stone Women is both inventive and influential. The macabre plot follows a young journalist named Hans who travels to Holland to write an article on the mysterious sculptor, who lives in a mill, that the locals have nicknamed “The Mill of the Stone Women”. While there, he meets the Professor’s beautiful daughter; but she’s damaged goods, as she suffers from a sinister malady that means she has to remain within the mill. Is there something yet more morbid to this intriguing set up…?

The mill at the centre of the piece makes for an excellent location for this story to take place in. Old castles are a more common location for Gothic horror, so the fact that this one takes place in a mill again differentiates it from the norm, and is yet another example of the imagination behind the story. The colour scheme is largely quite drab, and to be honest, I’d have preferred either more striking colours or a black and white picture…as the in-between doesn’t look good in my opinion. That’s pretty much the only thing I don’t like about this film in regards to the style, however. The plot moves slowly, but this means that the film has time to both build up it’s plot and wallow in the atmosphere. One of the trademarks of Italian horror is a muddled plot and things that don’t completely make sense; and this film adheres to that. There are several threads within the plot, and a number of them are left unexplained by the conclusion…which is a shame. Still, the final conclusion is fitting and at least it doesn’t suffer from bad dubbing! Recommended.